Sculptural form inspired by the coastal cliffs at Amroth, Pembrokeshire. 

Using hand dyed fabric with cotton silk and polyester threads this unique piece is created with hand and machine embroidery.

A ceramic sculpture epitomising the simplicity of form and textural elements typical of Wendy Lawrence’s work.                  

The herringbone pattern is carved with hand tools to echo the striations found in rock and ancient stone edifices,  becoming part of the form as well as the surface of the piece. 

Inspired by ancient stone circles this piece generates a sense of solidity and continuity, connecting us with our heritage and spiritual landscape.

The works are high fired and are suitable for any interior or exterior spaces.

Unique hand crafted sculptural vessel inspired by the Pembrokeshire coast 

It’s ‘broken’ edge draws attention to the fragility of our natural world and calls us to consider the tension between decay and regeneration - and the inherent beauty which emerges from erosion.

Sculptural textile form, handmade and crafted from hand-dyed cotton fabric and silk threads. 

She applies multiple glazing's to the slabbed and heavily carved clay to amplify the volcanic aesthetic while the addition of copper, titanium and vanadium oxides under and over the glazing's, creates additional colour and focus within the sculpture. 

Presented on a sanded and waxed driftwood plinth, this exquisite hallmarked sterling silver bowl, just 70mm in diameter and 17mm high, showcases the pure craftsmanship of a master craftswoman.   

Part of an evolving series of work by Suzie Horan that combines the jewellers' skills of saw piercing, annealing, pickling, rippling, soldering and hand burnishing.  

This beautiful abstract sculpture inspired by the texture and form of rockface strata, showcases Wendy’s use of silicon carbide to create a surface texture that is part of the form itself. The carved surface exaggerates the natural erosion of the rock while the addition of oxides to the glaze creates this unusual colouring.