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With this piece I took the two dimensional flat sheet and, using clean lines, facets, precision and containment as my inspiration, turned it into a three dimensional vessel.
Available for sale or commission.
Photo credit: Juliet SheathBritannia Silver
A play on pairings - this piece contrasts a rich red interior with a black exterior surface.
This beautifully crafted bowl made from steel, vitreous enamel, sgraffito with abraded layers, was first showcased at Springfield USA.
If you would like to commission a similar piece from Beate Geggenwart , please enquire below.
‘A Study in Black and Gold #1’ features scrambling blackberry (Rubus fructicosus) plants in white, delicately sculpted using traditional wax flower making techniques, and dried insect specimens donated by a museum curator, mounted inside American lime and glass entomology cabinet drawers.
In this piece, the blackberries which in the wild provide an important source of nectar for pollinators,
appear to be growing inside the entomology drawer alongside the preserved bee specimens, highlighting
their mutually beneficial relationship.
Created exclusively for Collect 2025 and in response to the curatorial theme of Black and Gold, these monotone sculptures draw on the internationally renowned blackberry (Rubus) collection at the National Museum of Wales. To reflect this, the drawer is labelled by the artist as if part of a scientific collection.
Townsend's own observations of nature within the urban environment combine with her memories and experiences as a natural science conservator to create works that are scientifically accurate, yet artistically stunning - drawing us, through art, into a consideration and conversation about nature and its fragile beauty.
The piece can be be wall mounted or displayed flat and can be bought individually or as a pair.
‘A Study in Black and Gold #2’ features scrambling blackberry (Rubus fructicosus) plants in black, delicately sculpted using traditional wax flower making techniques, and dried insect specimens donated by a museum curator, mounted inside American lime and glass entomology cabinet drawers.
In this piece, the blackberries which in the wild provide an important source of nectar for pollinators,
appear to be growing inside the entomology drawer alongside the preserved bee specimens, highlighting
their mutually beneficial relationship.
Created exclusively for Collect 2025 and in response to the curatorial theme of Black and Gold, these monotone sculptures draw on the internationally renowned blackberry (Rubus) collection at the National Museum of Wales. To reflect this, the drawer is labelled by the artist as if part of a scientific collection.
Townsend's own observations of nature within the urban environment combine with her memories and experiences as a natural science conservator to create works that are scientifically accurate, yet artistically stunning - drawing us, through art, into a consideration and conversation about nature and its fragile beauty.
The piece can be be wall mounted or displayed flat and can be bought individually or as a pair.
A ‘hand woven’ sculpture shaped by the heat of the kiln to bring the viewer inside the built environment.
Petersen creates these delicate structures by weaving a stainless steel or metal mesh which she then dips into ceramic slip. The sculptural distortions created by the intense heat of firing, create pieces that are at once unexpected, beguiling and uncomfortable - confronting us with the fragility of our constructed world and issues of living on the edge of safety through sculptures with a rare and delicate beauty.
Created for Collect 2025, ‘All in Vain’ is one of an ongoing series of sculptures created by Petersen to highlight the inadequacies and inequalities of our current housing system.
With the addition of black crystals and gold highlights to meet our curatorial theme of Black and Gold, she extends that conversation to denote the mould that creeps across the surface of inadequate housing, but adds gold to reflect the hope for change.
This piece is no longer for sale but, if you would like to commission a similar piece, please enquire below.
Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces where she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.
Named after the Greek goddess of love, this beautiful sculpture showcases Angela’s interest in classical sculptural forms. One of a series of small scale pieces where she explores the sensuality of the human form, the natural unglazed porcelain finish is used to amplify the sensuality of the piece.
