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10:20 Faceted Vessel

Mary Ann Simmons
£7,200.00

With this piece I took the two dimensional flat sheet and, using clean lines, facets, precision and containment as my inspiration, turned it into a three dimensional vessel.

 

Available for sale or commission.

 

Photo credit: Juliet SheathBritannia Silver

Pinstripe Vessel (2)

Mary Ann Simmons
£3,340.00

This piece by Mary Ann Simmons is typical of her experimentation with the simple box form to create unique and original silver works. 

 

Responding to our curatorial theme for Collect 2025 -  'Black &Gold' - she developed these tall faceted 'pinstripe' forms to take advantage of the dramatic of contrast of gold accents against a black background. 

 

Shown here individually and in a group, Pinstripe Vessel (2) is one of a series of works that can be purchased seperately or as a triptych as shown below.   

Pinstripe Vessels (3)

Mary Ann Simmons
£3,130.00

Simmons' response to our curatorial theme of ‘Black and Gold’ was to create this unusual collection of ‘pinstripe’ forms using the dramatic contrast of gold accents against a black background to accentuate the edge to each individual face. 

 

Simmons uses the box form to create her exceptional silver work which has evolved from cubes to an exploration of symmetric and asymmetric, multifaceted forms. 

 

These pinstripe vessels created for Collect are a perfect example of this exploration and can be purchased individually or separately. 

Tidal Sands Beakers

Mary Ann Simmons
£1,700.00

The wandering line stretching upwards on the beaker recreates the sand patterns we find on beach walks.

 

Priced individually but also available for sale or commission as a pair. 

 

Photo credit: Juliet Sheath

Water, always water

Beate Gegenwart
£650.00

A unique panel encapsulating recurring themes within the artists work - fragility and water- her desire to see what is ‘behind’ and an urge to become finer and finer, thinner and thinner while exploring water as a constant  ‘present’ in her environment.

 

Photo Credits: Dewi Tannant Lloyd

Sea of Stories

Beate Gegenwart
£3,800.00

Created for Collect 2025, ‘Sea of Stories’ is a wall panel which invites closer attention, filled with the mysteries and stories of the oceans - or what we choose to see within it. 

 

Typical of Gegenwart's work,  the piece explores the themes of rhythms and water - recurring motifs within her work - with her unique treatment of the copper giving it a particular tone, depth and interest.  

 

Additional complexity is added to the work by the choice of a white mount - drawing out the reflections of the lattice work to give the piece a 3 dimensional quality and provoke a tactile, as well as a visual, exploration of the work. 

 

For the close observer, words are etched within the panel to emphasise the language of the piece, the darkness of the work countered by the light enamel details. 

 

The colour of the mounting board can be changed to create different effects and interpretations of the work, but it is shown here in white as it was at Collect 2025.  

Indra's Net

Beate Gegenwart
£3,900.00

Inspired by William Blake's poem ‘Indra’s Net’ this beautiful sculpture created by Beate Gegenwart for Collect 2025, encapsulates signature motifs within her work - movement and fluidity. In this piece she evokes the intricate rhythms of water - the sparkling currents and ever changing movement of the sea - observed as she walks near her home in Gower. Mounted here on red, the sculpture can be backed with different colours as shown below, drawing out different motifs within the work and our response to it.

In Response to Louise Bourgeois: 'The Needle is Used to Repair Damage'

Suzanna James
£1,650.00

Picking up the soft golden, creamy hues of natural linen this beautiful piece by Suzanna James is a response to the words of Louise Bourgeois: 'The Needle is Used to Repair Damage'. 

 

James' work is infused with an appreciation of the healing power of textiles - a recurring theme within her textile art which explores the capacity of a needle to repair specific damage to a piece of cloth or the communities in which the piece is made. 

 

In this hand dyed and embroidered piece, James interprets our curatorial theme for Collect 2025 by touching on deeper themes within our curation - the influence and impact of our industrial heritage on our landscape and communities and how the 'damage' can be redeemed through the hope that the needle and craft create. 

 

'In Response….' is one of a developing series of work by Suzanna James which can be commissioned by enquiring below.